I fostered my Priming Method over a time of numerous years, and I presently show this watercolor procedure to my understudies as a whole. It is a straightforward yet exceptionally powerful 3 stage process:
The initial step is to apply water to the locale you wish to paint and afterward permit the dampness to be retained into the paper.
Then, while the paper is still scarcely clammy from stage one, for example the sheen of the surface has quite recently vanished, lay in one more light wash of clear water.
In the third and last step of the Priming Method, while the past wash is as yet wet and glossy, lay in your pigmented wash. Prior to continuing on to apply further washes it is critical to guarantee your watercolor paper is BONE DRY.
That is all there is to it! 3 straightforward however incredibly successful moves toward dominating watercolors.
My Priming watercolor method is effective in light of the fact that it permits color to be retained quite far into the inward layers of the paper. I utilize this technique at the beginning phases of a composition. As the composition advances and I believe I have arrived at the apparent profundity I want - I then change to a wet-in-wet technique for the center not many washes.
Before I make my best detail with dry brush I calibrate the varieties I have accomplished by laying in conclusive washes to change variety temperature, profundity of tint or change of variety as I see vital.
When absolutely dry I then utilize the deep rooted dry brush technique to lay out fine detail where required. Normally, you can't wash over dry brushing except if you expect to take off some of it. Dry brush sits on the outer layer of the paper and is handily scattered. You can obviously utilize this for your potential benefit however commonly my dry brush layer is my last layer.
I never disapprove of the strands in my paper lifting notwithstanding utilizing somewhere in the range of 2 - 20 washes! Investigate my work. I truly want to believe that you concur this sparkling strategy justifies itself with real evidence.
Here is a basic investigation you can attempt at home. Draw three 1 inch circles. Utilize my Priming Method in the principal circle, Wet in Wet in the second and Wet on Dry in the third. Why not utilize a straightforward yellow for this so you can play with the gleam of this in resulting washes?
Presently permit each of the circles to become very dry. Utilize a dryer if necessary. To check for dryness: Once the intensity from the dryer has gone from the paper, contact the paper with the chunk of your hand. In the event that it feels cold - there is still dampness in there. On the off chance that it feels room temperature, it ought to be dry.
Presently lay in clear water washes over every one of the three of the circles. Assuming you have utilized straightforward tones and my Priming Method - you will find there is next to no color development. The Wet on Wet will lift somewhat more effectively and obviously the Wet on Dry will move without any problem. Presently add further washes and shades to your Priming Method circles and perceive how the yellow underwash gleams.
Where my last tones are to be light - I utilize almost no yellow. Normally where the last tones are dull - I might utilize three or four preparing sets of washes to make sufficient profundity of yellow so it can sparkle through even the most extravagant dim tints.
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