When you're mixing, it doesn't matter if you recorded with the world's most gorgeous microphones and dazzling special effects, if you cannot hear a true sonic representation of your tracks. Luckily, that's what professional mixing headphones are for. Designed for a direct translation rather than one that emphasizes big bass and extra shimmery highs, Mixcder HDH100 Pro Headphones open your ears up to the true sound of your music. So maybe you adjust the bass on your new mix, but when you play the perfect mix on another system later, it sounds thin and weak, so this time around, you lower the bass level by combining only a fraction of it. Of course, the sound is in no way perfect, but we find balance by synthesizing curves from different iterations. Here are some answers to the questions that you're facing.
Do I Want Open-back or Closed-back Headphones?
Open-back and closed-back headphones each bring sonic advantages; the right choice largely depends on how you work. Closed-back headphones sound great when not a single extraneous sound must enter your ear canal - for example, when mixing in noisy environments or recording music in the studio, there is no overdubbing possible. Open-back headphones are acoustically transparent and thus provide a spacious feeling and a wide, airy soundstage. They enable you to experience your mix or production like a speaker rather than through an artificial filter. This added spaciousness makes open-back models ideal for critical listening.
How Do I Choose Best Studio Headphones for Mixing?
Headphones for mixing are unlike consumer headphones. They should have a neutral profile, flat and not excited so that you can make accurate, informed decisions about your mix. It's important to think about where and when you'll be listening to music on these 'phones. Do you primarily use headphones while traveling or when working on location? Then maybe the point of reference might be more valuable than the best frequency response chart you could find in a book anywhere. Suppose you're forced to listen at an ungodly volume in an otherwise noisy environment. In that case, it will matter what kind of 'phones are protecting your ears, given that these sextets act as giant earplugs by design (or evolutionary necessity in this case). Headphones can come with a jack for a separate headphone amp for greater volume, power, and amplification. Some headphone amps have variable bass control. The highest quality headphones may be made from exotic aluminum and magnesium alloys. The higher cost is usually due to the materials rather than design expertise or marketing.
Do I Need a Headphone Amplifier?
Maybe you're wondering if adding a headphone amplifier to your rig will improve your sound. The short answer: Yes, because it increases the output of your audio source's power just enough to drive your headphones to reach the output level you want and provide better sound. This doesn't matter when you're plugging earbuds into your cellphone. And if you're using a mixer or an interface, it already has built-in amplification. But some high impedance headphones require much more power than others to play loud; these models are usually over 50-100 ohms high impedance. High-end, high impedance headphones may benefit from amping with this, increasing the clarity, dynamics, and detail of your listening experience.
The Final Word on Best Studio Headphones for Mixing
Headphones are just another preference. When choosing mixing headphones, there are a few things you have to keep in mind; stellar performance is and always will be inexorably linked with sound quality, comfort, portability and durability. The style isn't important as much as whether or not they will make your job a lot easier when listening back to your mixes repeatedly. You may want particular styling for working out in the field, or you may want something that's not too showy at home without compromising performance. It all boils down to some very basic requirements which you should take into consideration while making your choice.